Artistcellar Blog

Imagine. Create. Enjoy.

Hello all!

Today, I have a video for you. This weekend I explored a local antique shop and found some serious treasures. A really old photo album -- and a cool vintage postcard. Today I'm going to use both to create a texture-rich art journal page using Artistcellar block stencils!

Now, for the video:

Oh hello! Today, I filmed a little video of my art journaling. Right now I'm going through a time of healing. One of the ways that I heal is through baring my soul in an art journal. Today I was inspired by a bit of poetry by Nayyirah Waheed. (You can find her @nayyirah.waheed on Instagram)

"The idea of a second heart."

Supply list: 

https://youtu.be/2dMWCVydwoA

Hello Everyone,

Right now, I need both a creative outlet, and a way to bring a sense of calm to my nervous system. I unconsciously created a journal page with a color palette that is not my norm. I’d like to share it with you in this post, to hopefully inspire and encourage you to trust your intuition as you create.

Supplies Used:

 

To apply the Distress Stain, I used a paper plate palette and dabbed the color onto it.

I then used a cosmetic wedge to grab the color of the stain to work through the stencil.

This worked well for me. In the past, when I’ve tried to use the Distress Stain directly through the stencil, it was too wet, and it seeped under the stencil.

I liked how light and airy these pods were, so I decided to give them some space to breathe.

Choosing the blue acrylic paint for the background was sort of a surprise to me. Once I used it, it felt like water, which made me relax.

Next, I decided to add more pattern over that blue. So, I grabbed the Block Series stencils.

What I loved about the “Cross T” stencil was that I could easily line it up where I left off, to continue the pattern.

And again here:

I decided this all looked like a plate on a tablecloth, so I added a yellow napkin, too.

Since I was thinking of nature and the ocean, a thought came to me with a title for this journal page. So, I wrote, “I am calling this ‘Respite with Yellow Napkin.’ Beach, sea, water, land, color, calm the self.”

I created another page more quickly by cleaning my stencil with a baby wipe, and using up some the extra paint on my palette.

Sometimes these are my favorite pages, as they are free, loose, and expressive!

Thank you for being here and reading this post.

I am sending creative vibes out to you, so may also experience a sense of calm and inner peace while you play with your art supplies!

Blessings to you,

Briana of OrangeSpiralArts.com

Oh hello again!

This week I have been really busy filming - I'm a teacher in this year's Ever After with Willowing Arts! My theme is Alice in Wonderland, which you know I'm very excited about.

To keep with the Alice in Wonderland theme, I decided I wanted to paint intuitively  on a huge piece of watercolor paper. 

I had so much fun creating that "poster" last time, I decided to give it yet another go. I started with some 12 x 12 Artistcellar Stencils. I love these Sacred Geometry stencils, and they pair nicely with the Diamond Series stencils as well!  

From here, I'm just building up layers with the same DecoArt Media Mister in "Carbon Black" except now I'm also adding in 6 x 6 stencils and pocket stencils! 

Quasicrystals, Blocks, Chakra Series Pocket Stencils, and Labyrinth Series stencils play a big role in the mood here!

Now, for the really adventurous part... I mixed up some fluid and high flow acrylics with DecoArt Pouring Medium and poured paint directly on the poster. 

If I had planned ahead for this part I would have worked on a big canvas and not watercolor paper, but hey! We are painting intuitively here, after all. 

This is probably one of the messiest yet most satisfying things ever! The hard part is waiting for it to dry, which takes 24 hours or more.

But, with a little patience I was able to return to it and add small details with Posca Paint Pens. Here, I'm adding some leaves and the quote, "Those who don't believe in magic will never find it."

That's it! 

This was so hard to photograph because the pouring medium leaves things a bit glossy which looks incredible in person! (If you would like to sign up for Ever After 2018, visit: https://www.willowing.org/product/ever-after-2018/?affiliates=120 )

 

“I am a great admirer of mystery and magic. Look at this life. All mystery and magic.” - Houdini

Do you believe in magic? Are you intrigued as I am by stage magicians? Even if I know the secret to the trick, I still relish the performance. Mystery and magic. I can’t get enough of it.

For my next Artistcellar project I wanted to experiment with a supply I haven’t used in a long time. I have always liked adding embossing powders to my art. There is something about the transformation from powder to a liquid metal effect that I find sublime. I recently purchased a set of Seth Apter’s Baked Texture Embossing powders. With names like Chunky Rust, and Vintage Beeswax I couldn’t wait to create with them.

My other recent obsession is image transfers. I have been attaching images to an array of papers. The results widely vary. But when they work, it’s like holding a bit of magic in your hand. Most of my transfers have been produced from photocopies of engravings. The lines hold well to the substrate. I wanted to try a halftone photo. I decided to try my luck with a photo of a woman in a top hat I saw in a book. Because I wanted a transparent finish I transferred the photo to a tea bag. After a bit of soaking and rubbing, I was pleased with the results.

Using an old library book cover for the substrate I began the collage. I glued a piece of joss paper to the cover and layered the image transfer on top. While it was drying, I covered a selection of papers with embossing ink using my Open Work stencil from the Blocks series. I especially liked the colour and texture I got from the Ancient Amber powder on the tea bag. I also tried the powders on a piece of parchment paper. As the powder set, they lifted from the paper and I glued them to the design as free standing jewels. I liked the old carnival poster effect of the piece. I completed the work with tissue paper from my last project, a bit of French newspaper I covered with Vintage Beeswax powder, and papers infused with real beeswax.

 

Every time I create I dive into all that is magical and mysterious. The magic has been the discovery of a new way to use a supply. The mystery often times is just the process of creation. My hope is that you follow your inspired heart. It can guide you to places and people who will forever enchant your life.

MATERIALS USED:

  • ARTISTCELLAR STENCILS: HALFTONE DOTS, BLOCK SERIES (Open Work)
  • HANDCUT DIAMOND STENCIL
  • PLAID ACRYLICS: Sunflower, Inca Gold
  • DECOART: Sunny Day, Blue Harbor, Sea Glass, Desert Turquoise
  • DYLUSIONS PAINT: Vibrant Turquoise, Cut Grass, Fresh Lime, London Blue, Crushed Grape, Squeezed Orange, Bubblegum Pink, Postbox Red
  • DINA WAKLEY ACRYLICS: Blushing
  • REEVES: Bronze, Gold
  • SETH APTER - EMERALD CREEK EMBOSSING POWDER (Ancient Amber, Chunky Rust, Vintage Beeswax, Patina Oxide)
  • STAMPENDOUS CLEAR EMBOSSING INK
  • LIQUITEX MATTE MEDIUM
  • NATURAL SPONGE
  • PAINTER’S TAPE
  • HEAT GUN
  • TISSUE PAPER
  • JOSS PAPER
  • WAX INFUSED PAPER
  • VINTAGE FRENCH NEWSPAPER
  • LASER PHOTOCOPY  
  • HARDBACK BOOK COVER

Hello all!

For this week's project I started working on a couple portrait of my friends, Arlo and Ruby.

This isn't just any portrait though, I wanted to create them in my own little character style, so I started with some rough sketches using some of their qualities. They are both unique, so it was pretty easy to pick out some great qualities to highlight.

From there, I used watercolors to add the first wash of colors.

Then, I picked three Artistcellar stencils - Cathedral Plans: Reims Plan, Blocks: Tiles, and Labyrinth: Crete. I used modeling paste and a palette knife to create incredible texture with the stencils. In fact, this has to be my absolute favorite way to use Artistcellar stencils - as background and texture elements to my paintings.

Once dry, I added even more watercolor - and watching it travel between the raised modeling paste really makes my soul sing.

To incorporate even more color I started incorporating acrylic paint into the portraits and the flowers.

From here, another one of my favorite techniques is to put down some watercolor on top of dried acrylic (you can see this in the flowers) then I spritz it with water and let it run and melt on the page. To me, this is relinquishing control... and I think that is an important and fun practice to integrate into my art.

So, to finish it all off I added some white highlights with a uniball signo UM-153.

I can't wait to send it to them. I hope they love it!

Hello everyone!

Currently, a year long journaling/tarot class called Pull Pen Paint is well underway! I'm excited to be one of the guest teachers - but also excited to be a student as well.

I wanted to create a fun insert in my journal. This particular journal is a little strange -  I made it myself and added in elastic so I could have a "travelers journal" feel to go along with it. 

Today, I'm making a fabric insert using ink sprays and Artistcellar stencils!

Artistcellar Stencils used:
I started with a piece of canvas and laid the stencils down in the design I wanted. Then, I used ink sprays through the stencil.
Next, I used some wax linen thread on one of the outer edges, just for a little extra ooomph. To finish, I cut it down to size, and slipped it into my journal!
From here, I can put a little gesso on the inside of the fabric insert, and I can paint on it later - if I want to! I kinda like the inky, grungy design there already. I really LOVE the extra texture of fabric in my journal, and since it's only added through the elastic, I can switch it out as my mood sees fit. 
Want to join us in Pull Pen Paint? Go here -> http://bit.ly/PanArtPPP18
"Life is a minestrone
Served up with Parmesan cheese
Death is a cold Lasagna
Suspended in deep freeze. -10cc – Eric Stewart, Lol Creme

Who doesn’t like soup? Warm, comforting, encouraging you to release your creativity with each new recipe, it is just the thing to lift my spirits. And as we trudge through more cold and snowy winter weather the smiling woman in the vintage ad carrying home her paper bag of Campbell’s soup and an article in a local magazine inspired me.

I have participated in a charity postcard exchange for the last several years. I knew my mind was set on the image I wanted to use for my next design. If you are like me, you know when an art supply is “just right”. The incredible range of Artistcellar stencils always help me find precisely what I am looking for in minutes. Spreading out my stencils, my eye was drawn to the Quasicrystals and Blocks Series. Yes…they were “just right”.

The card came together fairly quickly. I lightly coated a postcard size piece of cover stock with gesso. Using my sponge with the most texture, I applied several shades of Dylusion Paint. Working wet on wet I sponged the wonderful Dylusion Ink Spray to build the background. I wanted to create a sensation of warmth and happiness. Using the Dylusion products never disappoint. The colours are as rich and vibrant dry as they are wet. Again…they were “just right”.

Cutting out the image of the woman from the ad, I glued it to the card.

A local monthly magazine runs the most amazing food column. The recipes are carefully thought out which makes them easy to successfully replicate. This month paid homage to a rich and robust Minestrone, one of my all-time favourites. Reading through the ingredients, an old song came to mind…"Life is a Minestrone". I cut out sections of the recipe to surround our shopper.

I completed the postcard with a spray of colour in the shape of Quasicrystals Infra. Adding balance to the design, I stenciled Open Work Blocks in metallic gold.

Returning to my inspiration, I believe our lives always revolve around choosing a little bit of this, maybe a tad of that. We make the best of what we have on hand. But I am convinced that with a dollop of creativity and a dash of invention our lives can be as truly nourishing as a simmering Minestrone.

MATERIALS USED:

  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Infra), BLOCKS (Open Work)
  • LIQUITEX WHITE ACRYLIC GESSO
  • LIQUITEX MATTE MEDIUM
  • SCOTCH SCRAPBOOKERS GLUE
  • DYLUSION PAINT: Squeezed Orange, Bubble Gum, Vibrant Turquoise, Fresh Lime
  • DYLUSION INK SPRAY: Bubble Gum
  • DINA WAKLEY MEDIA: Blushing
  • PLAID: Sunflower
  • DECO ART: Blue Harbor
  • REEVES: Gold                                                                        
  • PRO ART BRUSH: 1” Bristle
  • NATURAL SPONGE
  • 130 LB COVER STOCK
  • VINTAGE ADVERTISEMENT IMAGE
  • RECIPE FROM A MAGAZINE

Hello friends!

After spending my morning creating amazing little pieces with plaster and molds (some homemade, some store bought) I was feeling really inspired to create. I grabbed a small canvas and set to work without really a plan of what the final result should be.

First, I used an Artistceller Blocks Series Stencil (Tiles) with DecoArt Media Mister in Carbon Black. Since the canvas is so thick, I thought it would be fun to add some of that stencil design on the sides, too.

Next, I used an Artistcellar Labyrinth Series Stencil (Crete) with Golden Coarse Molding Paste. 

From there, I glued my plaster pieces on, and started building color with Tattered Angels Glimmer Mists in - Partridge in a Pear Tree, True Blood, Lava, and Iron.

I also used a palette knife and some of Finnabair's Rust paste for extra texture.

Then, to finish the whole thing off, I poured Liquitex Pouring Medium on top and let it dry. This creates a super glossy, almost resin-like effect except it's way less sticky, messy and smelly. (Hooray!)

I like to make weird art. Art that makes me think. Art that makes people uncomfortable. 

I call this one D - I - S - C - O - N - N - E - C - T, and I'm still deciphering it's message myself. 

 

“Because of your smile, you make life more beautiful.” – Thich Nhat Hanh

There is wisdom in the saying “One person’s trash is another’s treasure”. For a collage artist, the aftermath of the Holidays brings with it the immense potential of discarded materials.  There’s a lot to be said for scavenging through the rubbish to find an inspirational gem or two. It was there I found the start of my next Design Team project.

My substrate is a piece of thin corrugated board that surrounded a picture frame.  Using an inexpensive one inch brush I applied gesso with a light touch. I liked patchiness and bristles left behind as the gesso dried. You can still see a little of it through the brushed and sponged acrylics. My stencil choice this time was Open Work from the Blocks Series. Rather than spray, I used a wet sponge to dab on Bubble Gum Dylusion Ink Spray. I liked the watery finish as it bled under the stencil.

Greeting cards are a wealth of ephemera. The gold foil was peeled from the inside of an envelope. Next to it I layered sewing pattern paper, a price sticker, a stamp and a line found in a magazine: “If You Are Reading This”.

My final bit collage work included a clipping from a book page that I infused with beeswax some time ago. Many of us have hailed the end of 2017. With the start of the New Year, my waxed paper seems timely…quotes about the qualities of the word “smile”. My continued goal for 2018 is to live mindfully, to slow down, and to enjoy the wonder that surrounds me. This is the reason I inverted the waxed paper quote. If anyone is reading, perhaps they will pause and enjoy the moment…and hopefully it will encourage them to smile as well.

The Quasicrystals’ Infra stencil applied in a variety of contrasting Dylusion Paint colours completed the work.

The New Year is here. I am filled with hope. And is there any better way to make the world a beautiful place than with a smile?

MATERIALS USED:

  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Infra), BLOCKS (Open Work)
  • LIQUITEX WHITE ACRYLIC GESSO
  • LIQUITEX MATTE MEDIUM
  • SCOTCH SCRAPBOOKERS GLUE
  • DYLUSION PAINT: Squeezed Orange, Bubble Gum, Vibrant Turquoise, Fresh Lime
  • DYLUSION INK SPRAY: Bubble Gum
  • DINA WAKLEY MEDIA: Blushing
  • PLAID: Sunflower
  • DECO ART: Sky Blue, Blue Harbor, Sea Glass
  • RUBBER STAMP                                                                    
  • PRO ART BRUSH: 1” Bristle
  • NATURAL SPONGE
  • CORRUGATED BOARD
  • WAX INFUSED BOOK PAGE
  • VINTAGE POSTAGE STAMP, PRICE STICKER, DRESS PATTERN PAPER, MAGAZINE CLIPPING, GOLD FOIL
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