Imagine. Create. Enjoy.
Now I KNOW I want to experiment with the stencils using them to create artistic quilts, (and how fun would it be to sun dye fabric with Dye-Na-Flow ink?!) but for now I wanted to figure out a way to use the stencils in a totally off the wall way.
So... I made a lotus!
To begin, I sprayed the art journal page with some Tattered Angels Glimmer Mist in "Verdigris". I just wanted to get some color on the page -- once I sprayed it, I set the book aside and grabbed a loose piece of watercolor paper. I had already used this paper to doodle on, so I turned it over and started spraying the "Star Flower" stencil with Lindy's Stamp Gang spray in "Ponderosa Pines Olive". I gave it a quick dry with the heat gun and then used scissors to cut out the flower petals.
Then, I used a hot glue gun to glue the petals down and add a stem. I wanted more color on the page, so I used the pocket stencils with Tattered Angels Glimmer Mist in "Tarnished Silver" as well as Dye-Na-Flow in Turquoise and Dylusions spray in "Crushed Grape". I also added some black acrylic for more contrast and a Uniball Signo UM-153 pen to add the quote!
I hope you have fun playing with these new stencils! I am already brimming with ideas, they are so versatile and I haven't seen anything like them before!
Don't you just love the designs of the new stencils?! I have long admired quilters and the artistry they accomplish with fabric and thread. My husband's maternal grandmother was an accomplished quilter and I remember being amazed and humbled when watching her work and seeing her numerous finished creations. She was an artist through and through.
To me, quilting is very American. I know that quilting was around before our country was formed but history shows us it flourished after the arrival of the English and Dutch settlers. Taking fabric and piecing it together in new ways brings art to a utilitarian item and don't you think it has so much symbolism? A quilt can bring comfort, security and peace. It's texture can be warm and cozy. All the seemingly different fabrics brought together with many little stitches become a finished item that seems filled with history, stories and love.
Another thing that's been on my mind lately is my Dad. He passed a little over 4 years ago. He loved this country and considered himself a patriot. He loved, supported and was ready to defend his COUNTRY. He wanted this land to be a place his posterity could flourish in and be able to feel comfort, security and peace. Now, I'm not going to wax political on you. I just want to share what I created in my art journal this week as I needed to express some positive feelings.
Here are the supplies I used:
I started with a page in my journal that already had black and blue paint which I added red to.
I then used the Ohio Star and Star Flower stencils with gesso to create the background. When the gesso dried I added "stitches" with a black acrylic paint pen.
After sketching out where I wanted the face to go I added a layer with blue paint and the Ripples stencil so my face would have a subtle texture behind it.
Using gesso I created an underpainting for my face. When that was dry I built layers with the acrylics to create the face. I wanted both light and dark to show across the face.
A final quilt stencil layer on top of the face and a few words and I am happy with the results. I like how the quilt imagery adds a feeling of comfort and order. The bold quilt pattern contrasts with the painterly quality of the face which is partially hidden in the shadows but is emerging to the light.
I will leave you with this definition:
So, I gave a talk to the Minnesota Contemporary Quilters on Monday, February 27th, 2017. The talk was held at the Minnesota Textile Center.
The topic of my talk was on art journaling. Shortly before I was supposed to give my talk, I received a package from Lisa of artistcellar. Inside the mailing envelope Lisa sent were the latest artistcellar stencils in the theme of QUILTS! I couldn’t believe it. I have most certainly had quilts on the brain, and this felt like a sign from the universe!
I am excited to share some quilt and textile inspiration with you today to hopefully get your creative juices flowing.
First, here are some of the amazing pieces created by the members of the Minnesota Contemporary Quilters group.
Unfortunately, I don’t have the artists names to give them credit. The only artist I know is the creator of the yellow textile in the upper left. Her name is Peggy Wright.
Here are a few photos I snapped of the journals and books I brought to support my talk on art journaling.
Now onto the BRAND NEW and amazing QUILT SERIES STENCILS from artistcellar. There’s a 6x6 set and a Pocket Stencils set. They work quite nicely together, too. First, I started with a pre-painted background and the 6x6 four-stencil set.
I used the Dylusions Paint and a cosmetic wedge for application.
Are you ready to see what this looks like on top of my messy painted background?
Oh, how I like the contrast of the hard edges on top of the free flowing paint. How about you?
Now it’s time to try out the Quilt Pocket Stencil set. These are so sweet. I couldn’t help but think of these as “mama” and “baby” stencils.
When you need a little contrast, black paint is usually a good choice, right?
See below for how nicely the two sizes of the Quilt Series stencils play together.
And because quilts make me also think of stitching, I had to add some faux stitching lines for effect. I used the Gelly Roll Moonlight pens by Sakura.
Hopefully you can now see that even if you are an expressive artist like me, these quilt stencils are completely awesome!
I have many ideas for how to use the NEW Quilt Series stencils. One idea is to trace the stencil design on the back of scrapbook paper, cut it out, and then collage a quilt onto paper. Wouldn’t that look fantastic?! You might also try tracing the quilt pattern directly onto fabric, cut out the pieces, and then sew them onto a larger fabric background. Oh, the possibilities. Are your creative juices flowing? Good. I hope you have tons of fun!
Thank you for being here. Also, thank you to the Minnesota Contemporary Quilters group and the Minnesota Textile Center for the inspiration.
Briana of OrangeSpiralArts.com
Hello! Today is all about mixed media layers and inspiration from the Om symbol.
I hope you enjoy the video I made as a result:
This week I'm working with chakra's again -- but with a little bit of a different approach. Lately I've been having a lot of fun using Amazing Mold Putty and creating molds of various items I own --- especially from my doll collection. I've been creating artwork on canvas with these pieces. Today, I wanted to create a painting on the theme of the "Third Eye".
Every time I think about this -- it reminds me of one of my favorite Tool songs by the same name. Before I started painting -- I lit some candles, turned on some music, and used a tiny bit of Clary Sage essential oil in my brush water.
I have created a little video of what happened next:
Hello fellow creatives! Have you checked out Artistcellar's brand-spankin' new stencils? They have quickly become one of my favorites because of their versatility and deceptively simple design that work with just about any type of project.
Since I enjoyed making a paper quilt last time I decided to explore that technique further by choosing a larger canvas and making smaller squares. The result...FABULOUS.
Set up your gelli printing spree and have fun mixing colors. I used a brayer to "paint" color onto the scraps for an initial layer and then followed it up with more layers using the Blocks stencils. I made sure I had a few scraps that only had a few simple layers and others that had three or more. Keep to the same 3 to 5 colors to make sure your finished prints are consistent.
For the next step grab your trimmer and some scissors, turn on a favorite show or blast some groovy music and get cutting. I cut down my scraps to 1x1 inch squares. Look at all that inchie goodness!
Now it is time to start adhering the squares to your canvas! Working in small sections and using an old hotel key card smooth a semi-thin layer of gel medium onto the surface of the canvas and place your squares in rows. You'll get in the zone and pretty soon you will have the entire canvas surface covered in your gorgeously patterned squares.
For a finishing touch, use a dark color like Umber or Night and make a glaze with glazing medium and paint it to the surface of the canvas (again, working in small sections at a time) and then wipe off the excess. The following picture shows a glazed section next to one that hasn't had the glaze wiped off yet.
Finished project! Another beautiful paper quilt that is both relaxing to create and interesting to look at. I hope you make one for yourself!
Yay! We have a new series out! This one is nice and square and blocky and makes great texture and backgrounds! I've been playing with these for awhile, beginning with my gelli plate (naturally!) Here's what they look like:
Aren't they pretty? Of course I couldn't just show you the designs. You can see those on the Artistcellar Website Stencils page.
So you know how you can have a half finished canvas laying around and it's saying to you "meh." Well, I grabbed one of those canvases and just started some layering with the Blocks Stencils. And since I loved how the design team kept using crackle paste through stencils, I tried that too. Boy did I have a hot mess at the end. Now it screamed "MEH!!" But I did a little trick that my friend reminded me of... I tied it all together with Nickel Azo and Burnt Umber glazes. This is what happened.
But check out this texture! I wasn't sure if my crackle paste would even crackle, with the humidity being 423% (or so it felt) but it turned into crackle on steroids!
And hidden in between the texture-y goodness lay more blocks.
I sorta like this piece now. I call it "Cracked, not Broken" The original piece was inspired by a huge sidewalk crack I took a picture of, the end result is a little more metaphorical and reminds me of that poem about "cracks letting the light in."
This morning I was visiting Diana Trout's blog and saw this little tutorial on Twinchies. Well, these were tags that failed at paper marbling so I stenciled over them, cut them square and decided to try Diana's method. I first glued some book page words on the squares and covered the entire square in an Ultra Thick Embossing Enamel. I ended coating them twice to get a nice thick gloss. I then dipped the edges in a flat gold embossing powder and melted them smooth. I grabbed another half-finished canvas I've had laying around for YEARS and gave it a fresh coat of paint and stenciling with the same Tiles stencil, and mounted the little tile in the middle of the canvas. I coated the canvas edges in the glass bead gel to give it a little bling. The funny part is that the "Beautiful Exasperation" cracked when I tried to straighten it. I love delicious irony.
But wait. Didn't I mention in the Newsletter something about a GIVEAWAY? Yes, yes I did! I'm giving away a set of stencils and a beautiful book called "Art Journal Your Archetypes" by artist and author Gabrielle Javier-Cerulli. It is a gorgeous book filled with artwork and interviews by your favorite artists like Nathalie Kalbach, Orly Avineri, Sarah Trump, Jessica Sporn, Mary Beth Shaw, Seth Apter, and Tamara Laporte. Yours Truly has a little piece of artwork in there, representing my main archetype "Nature Girl."
It has a section where you can answer questions to figure out what archetypes you most identify with, and half the book shows you how you can use stencils and other mixed media methods to create journal pages to honor your archetypes. It really is a unique book, with a fascinating subject, you will be sure to learn something about yourself and then want to create art about it!
Gabrielle and I also got the chance to talk a little bit over at Google Hangouts and she recorded it for everyone to see. (eeek!) We talked about archetypes, art journaling, running a business, and other "stuff". Enjoy!
Now for the details of the Giveaway! Just leave a comment here about what you think your archetypes are. Or just leave a comment about what you think about the Blocks stencils and artwork. Or just say hi :-) I will pick a random winner on October 8th, after the Design Team has had a chance to show off their creations. You have to come back to THIS post to enter the giveaway. Only one entry per person, duplicates will be eliminated. I am giving away a brand new book and a set of stencils. And if I have more than 50 comments, I will be giving away another book and set of stencils! So share this post and encourage people to enter. Good luck and...
Have a fantastic week!
"Sunshine, lollipops and rainbows
Everything that's wonderful is what I feel when we're together…"
Lesley Gore/Marvin Hamlisch, Composer
And who said crayons are just for kids?
Included in my most recent box of delight from Artistcellar was a set of Tim Holtz Distress Crayons. And with names like Peacock Feathers, Twisted Citron, and especially Mermaid Lagoon I couldn’t wait to start using them.
I have long been a fan of the Tim Holtz line of Distress Inks. I love the wide range of colours and the deliciously descriptive names. The quality is always consistently high and I expected the same from the new line of Crayons. I was not disappointed.
Of late, I have been working with my metallic acrylics or watercolours. Receiving the Crayons was a good excuse to bring out the Distress Inks once again. Opening the box I keep them in was like opening a door and visiting with an old friend. The Tim Holtz line was my first purchase when I ventured into Mixed-Media. And what an adventure it has been!
A new addition to my supplies is a Strathmore Mixed-Media Journal – 300 Series. The compact size is perfect for working with my Artistcellar stencils. I am now well on my way to building a library of background images…all easy to find and in one place! Now if only I could get a Mineral Paper spiral bound notebook. That would be Nirvana!
I started my work on Strathmore Watercolour Artist Trading Cards. I chose to keep the colours warm and bright. I covered the card with a wash of Tim Holtz Spiced Marmalade Ink and flat Royal Langnickel watercolours using my Sakura Koi Waterbrush. The waterbrush is a great tool to have in your collection. It saves time, can be taken on the road if you are an en plein aire artist, and can give you everything from a swath of colour to a thin line. It’s great!
With Journal in hand I chose my favourite Artcellar stencil series: Halftone Dots and Seafoam. I wasn’t sure which applicator would best compliment the crayons. I applied the colour with a natural sponge, cosmetic sponge and the Tim Holtz Blending Tool. The crayons are soft and it’s easy to transfer colour to your applicator. When pushed through the stencil the natural sponge gave a spotty textured effect. The Blending Tool and cosmetic sponge were equally successful, giving me the soft gradated look I was after…all sunshine, lollipops, and rainbows.
Getting out my Distress Inks was truly like visiting an old friend and reminiscing about happy times past at the start of my Mixed-Media journey. This explains my choice of using this fashion photo from a 1950’s collage sheet. The women look so joyful…sharing a secret, spending time together, and capturing a moment that will stay with them forever. I am sure you have similar memories. Aren't we shaped and molded by the memories we hold closest to our hearts? And the friendships nurtured through the years are always the sweetest…like sunshine, lollipops and rainbows.
Hello creative friends!
So maybe you remember these petals from my last blog post.
Well they have come a long way since then! So let's talk about this exciting new design I have created called the "Labyrinth Lotus". I had worked on some lotus petals for this design way back when I first started my mixed-media journey when I did the "Becoming Real" piece with the butterflies. I set the idea on the back burner as other ideas came up and finally got some time to revisit this design.
First I created the center of the lotus with this honey comb texture using some: liquitex paint, Viva Decor Inka Gold, and some Dylusions Spray in Ground Coffee (even the name makes me want to go start my coffee pot and pour myself a cup)!
Next I moved onto my petal designs. Here are a few photos of my previous petals (chakra series pocket stencils) so you can see how much they have evolved in my new design.
Here are a few photos from the process of the new "Labyrinth Lotus" petals. For my petals I did many different steps to the front and back of the petals. On the front side of the petals I color gradated them in 3 different colors with water colors and added some shimmer.
Next I applied the design using the Labyrinth Series Stencils (COMING SOON!) They are one of my VERY favorites and I would HIGHLY recommend them On the back side of the petals I used some distress crayons
to outline the petals and used the Viva Decor Inka Gold to give them some real shine.
When I mean shine, I mean SHINE! Just look at all of that luster from the gold, Yum!!
Next I attached the petals to the flower doing 3 layers. Here is the finished Lotus!
Since this lotus is SO SEXY I even made a video so you can see the layers of the flower!
The most exciting thing about creating art is watching it evolve. This design really inspired me to keep dreaming of ways to make it even better! What's the next step? Well I started working on paper lantern string lights! Here you can see the start of the design.
Just look how large and detailed the petal is for this design. I can't wait to get this first light done so I can have an idea of how they will look! So I won't stop there! I already have a few more ideas. What's next after that? Well I bought one of these larger paper lampshades from Ikea
and I will make a large size light for a room, BUT.. I will need a few more tools for that project. Oh and I didn't stop there! So what could be bigger and better than that you may ask? Well how about a sculpture for Burning Man! Oh yeah, baby!! I am in the process of dreaming up a large scale design that hopefully 6 people will be able to climb inside. This is in the very early stages so all I can say now is how excited I am to have been connected with some other amazing artists that will help me make this dream come true. I think it will be one of the highest honors an artist could receive to not only create a sculpture that large, but to work on it with other artists, haul it out to the desert and let the masses enjoy your wondrous creation!
Let those creative dreams soar and see where they take you!
Much love, art, and bliss, Yours Always,
Today, let's find inspiration in color and chakras, shall we?
So, I found some masking fluid this week and I was so excited to use it on a project. I grabbed a piece of matboard and the Artistcellar Diamond Series and Sacred Geometry 2 stencils. I used a stiff brush to apply masking fluid over the stencils. Once the masking fluid was completely dry, I painted over the entire board with Dye-Na-Flow in "Midnight Blue" and "Turquoise". Then, I removed the masking fluid to reveal the white board underneath. It turned out so cool!
On separate pieces of cardstock I used a palette knife and black modeling paste through the Artistcellar chakra stencils and then cut them out, painted over them with their corresponding color in watercolor, and then added some gold Viva Decor Inka Gold around the edges for a little extra pop.
Next, I glued the cardstock chakras to my original matboard background and topped them with a gloss varnish because I want them to shine!
To finish it off, I added some dots to the background with Pearl-Pen in "Black" and "Ice White".
I just love how vibrant and bright the chakras are against a interesting and drippy background!