Artistcellar Blog

Imagine. Create. Enjoy.

I am very excited to share this simple but useful project with you. If you don’t know me and my art, you don’t know that I infuse everything with a dose of spirituality. 

I needed a grid plate for something I was planning and thought that this main stencil from the Sacred Geometry 2 series would be perfect (I used the Metatron’s cube stencil).

I used a 6x6in cradled wood panel as my surface and prepped it with two coats of gesso first. Each layer was carefully thought about, both regarding the stencil itself and the colors associated with it.

I used the Sea Foam stencil from the Water series with red spray paint. To me, it symbolizes flow and connection.

Working in layers like this, you really need to let everything dry before moving on to the next one. After this was dry, I used one of the Old World Map stencils, one with the smaller spaces. This symbolizes all the possible pathways towards abundance. Gold is associated with abundance, so I use a gold spray with it.

Now is a story of trial and error. I placed the Metatron’s Cube stencil and first used regular gesso. I applied it with a makeup sponge.

However, the result was not up to my expectations. It happens and it’s okay. I dried it with my heat gun before placing the stencil back over, and used extra heavy gesso instead. Much better! Why? it created a more textured effect, and it was more opaque as well. I used my Catalyst tool for it, but a palette knife would be perfect as well.

If you’re like me and you love texture, try this: apply heat with your heat gun until bubbles appear (it’s the plasticky nature of gesso that allows this effect to happen.) You can also let it air dry normally.

Green is another colour we associate with abundance. I picked several shades of ink sprays and just had fun applying them. I could have used green and gold as well.

To finish it, I used the same gold spray to pain the sides and applied some varnish on top.

Do you use crystals? Which one is your favorite? I hope you’ll be inspired by these Sacred Geometry stencils (there are two series of them in the shop) to make a crystal grid or simply a beautiful mixed media canvas for your space.

More photos :

Till next time, 

Nolwenn 

http://inner-voices.net

This week I want to share with you what I created with the collage papers I created from my last blog post. Remember these?

Here's what I used:

One more thing before we start. I don't have any process photos (GASP! I know!). I was going along with the creative flow and didn't even realize until I was finished, dagnabbit. But, on the other hand, I do have 12 finished faces to show you!

My process is as follows: In my little Moleskine I pre-gessoed a bunch of pages so the page is ready to go when I am. I decided I wanted to fill this book with faces but before I draw the faces I add a few layers of color onto my page with paint and stencils. Using a foam wedge makeup sponges makes this process easy. While those layers dried I went in with my paint pen (black or white) and drew faces on a few of the pages. (Nope, no pencil first! Just go for it! To make it even more fun I used a continuous line on some of them.) For the other pages I cut face-like shapes from my homemade collage paper and glued them down with matte medium. To review: On some pages I drew a face directly on the stencil decorated background and on others I drew a face on top on collage paper that was cut to a face-like shape and then glued in the book.

Oh look! I do have a process shot! LUCKY!

This shows some stencil layers and collage paper cut to a face-like shape.

Now I just use my imagination and paint the faces fabulous colors remembering to use complementary colors to help make things POP! Don't layer your paint on too thick since you want the underlayer texture created by the stencils to still peek through.

I also add a layer of paint to the backgrounds in some places to make things interesting.

Final steps happen when all the paint is dry. I take my extra-fine black paint pen and trace over my drawing lines again. This smooths the edges of the features and lends it a finished look. I also take my 9xxb drawing pencil to create value and texture.

I'm in love! We'll see how many faces I create with this style/technique before I change it up. I already have plans to make even more of my own collage papers.

Happy creating!

My brain is rapidly slowing down as SPRING BREAK approaches and I fear I will fall over as I teach Kinders the wonders of Still Lifes in the few days left before sweet freedom(!) and road trips(!!) arrive. Is that how you are feeling too, my fellow creatives? It is during these times where I need a simple project to rock my world and give my creativity a boost towards ACTUALLY MAKING THINGS. I explain all this to you to set the scene for a recent discovery of mine.

In my quest to use stencils in ways different from my usual, I stumbled upon an awesome texture technique that I am convinced someone has already discovered. Since I don't see it taking the crafty blogiverse by storm I must deduce that that someone lacked the proper publicity skillz to get this out into the world where it can grow and marry and make beautiful texture babies. 

Ahem.

So I will step forth and do what needs to be done. Listen carefully....

Grab your art journal, a brayer, some Dina Wakley acrylics, a paint palette, Golden Acrylic glazing liquid and some rad stencils. The ones I used here are Artistcellar's Sacred Geometry 2 and the Old World Maps Series.

Squeeze a little bit of paint and glazing liquid onto the palette and use your brayer to mix it up and smooth it out. When your brayer is evenly inked grab a stencil and carefully roll the brayer over it once or twice. Now, lay aside your stencil and roll your brayer onto a blank page in your art journal. 

TA-DAAAA!

With some of the ink transferring onto the stencil and off of the brayer it is like monoprinting where the brayer is your plate. HAVE I BLOWN YOUR MIND YET? 

And using a dark color onto a pre-painted surface is just divine. Check out this teal background with texture applied with Dina's Night acrylic paint rolled on with a brayer. YUM!

The results are random and depends on how many times you roll your brayer onto the stencil. Want a clear pattern? Only roll your brayer one revolution over your stencil. Want more "layers"? Roll a few times onto your stencil in two different places.

I am not sure if my excitement over this little texture tidbit is a result of my tired educator mind or the thrill of Spring in the air but I can assure you that it is fun and gives mad texture with very little effort. So, go ahead and try it out and let me know what you think. 

Go forth and create, my friends!