Imagine. Create. Enjoy.
Greetings creative one! I hope this post finds you well.
Today we are going to play with a pre-painted piece of copy paper, some Dina Wakley acrylic paint, and the Old World Maps Series stencils from artistcellar.
Place your stencil of choice underneath your copy paper.
(In the picture below, I have the stencil on top just so you can see how the size matches well with my paper.)
Squirt out a few small drops of the Dina Wakley acrylic paint in a contrasting color to your painted paper.
Use a plastic card to scrape the paint over the paper, leaving a “rubbing” of the stencil underneath.
Doesn’t that look awesome? (I would like to give credit to the fabulous LK Ludwig who taught me this stencil under the paper technique.)
Let your paint dry. TIP: It does not take long, as the scraping process, plus acrylic paint, equals fast drying time.
Use your imagination and create something out of your painted paper.
I chose to create an envelope for some mail art.
I folded the paper to make three sections.
Use decorative tape to seal the sides closed. Also, fold in the corners on the top fold to give it more of an envelope shape, if desired.
After gluing down the corners of the top fold, I’d like to show you the front and back of my envelope.
Here’s the front:
Here’s the back:
Now all I need to do is add a sticker address label and a stamp!
I hope you enjoyed this tutorial using the Old World Map Series stencils by artistcellar!
Have a wonderful day/night, wherever you may be!
Blessings and Gratitude,
Briana of OrangeSpiralArts.com
“It’s what we call a dolce pazzia…a sweet madness. Once you feel it, you will never want to leave”. – "Juliet" by Anne Fortier
Travel and romance. To me the words are synonymous. I have wanted to use the photo of the woman with the dreamy expression from my collection of Victorian postcards in a project. At last I found a place she might call home.
I will soon be facilitating a collage workshop at a local library. We will use discarded book covers as a substrate. I was given a deep blue cover to see how it would inspire my work. The map of the romantic city of Venice from the Old World Maps series was perfect for what I had in mind. I started the project by stenciling in a subdued colour palette of blues and aqua to allow the rest of the collage elements to pop. This is another reason why I love the Artistcellar collection of stencils. They can be bold and the focal point of your work. Or they can be subtle, but just as vital to your art. The inside book cover was smooth and didn’t drink up the acrylics. As I had hoped, there was very little shift in colour.
I have been experimenting lately with transfers on various types of paper. This time I transferred the photocopy of the woman and added it to a blank shipping tag covered with a layer of gesso. I was pleased with the finish and the way the colour complimented the background. I surrounded the tag with textured paper I received from the Netherlands in a paper swap. The gold foil was reclaimed from greeting cards. Cherry tree twigs blown into the yard with the last storm, wrapped in tea stained gauze, became part of the collage. It’s great that with this type of work trash can become a real treasure!
I usually have tiny jewelry tags on my table when I am working. They are a great place to try techniques or to deposit left over paint. I chose a few from this collection. After masking out parts of the Playful Pods and Quasicrystals stencils, I added glittering dots of colour to the design.
I am captivated by the woman’s wistful smile. Could she be thinking of a journey in the making? Or is she returning to her dolce pazzia…the sweet madness of a certain time and place?
We are fortunate that creating Art allows us the freedom to follow our inspiration wherever it may lead. The door is open just waiting for our ideas to burst through. Who is your muse today?
Hello fellow creatives! I created some more of my own pattern collage papers this week but I used the stencils in a different way then what I usually do. This week I took rubbings of the stencils with a regular ol' crayon.
To start off I gathered thin papers like drawing paper, deli paper and marker paper. You could also use tracing paper, coffee filters and even newsprint. Also, grab your favorite Artistcellar stencils! I found this technique works with both the bold and fine patterns.
For a rubbing to be successful you need to keep the paper, which is on top of the stencil, in the same place. (Unless you are going for a blurred movement effect!) It's also good if you can use the long side of the crayon and not the end. My crayon is a chunky black one with no wrapper that I found in my daughters' crayon box. I tend to hold the paper in place with one hand and use the other to rub the crayon onto the paper with medium pressure in one direction.
Some of the rubbings I did were just black crayon on the paper. Simple and has nice contrast. Others I added some Dylusions spray ink. This made the crayon more subtle but still a lovely texture.
Other papers I prepared with a layer of acrylic paint in simplistic patterns. I then placed the paper with the paint side up on top of the stencil and made the rubbing.
This was so easy and I am left with some beautiful papers!