Artistcellar Blog

Imagine. Create. Enjoy.

“Open to me, so that I may open. Provide me with your inspiration. So that I may see mine.” – Rumi

I believe in Synchronicity. I believe you get what you need when you need it most. I enjoy creating prayer flags and decided to continue the series. I knew I was on the right path when the Rumi quote crossed my Twitter feed. It was what I needed when I needed it.

This flag is larger in size than the others in the series. I knew the Artistcellar 12” x 12” Sanskrit Om was perfect for this design. Om is a “seed” mantra and is related to the Third Eye the Sixth chakra. Exploring this chakra, your energy to "see" clearly is heightened. The Third Eye renews our ability to view the world and ourselves with hope for the possibilities of life. Most importantly, your Third Eye is the window to experiencing the feelings of others from their perspective…to revive our ability to empathize with those we meet.

To keep the fabric taut while I worked I covered my poster board with a light coat of spray adhesive and positioned the flag. The weight of the fabric is great and shows the stenciling to its best advantage. I chose colours that symbolize the feeling of serenity and are uplifting to me. Once Om was dried I continued with the rest of the design.

Another advantage of working with Artistcellar stencils is the variety of sizes available. The bottom of the flag is filled with two sizes of the Seafoam stencil. I have been creating collage art on rocks, most recently at my local library. The shape of the stencil reminded me of those rocks and the inspiring quotes our group added to each one. The Halftone Dots added a punch of colour.

Now that the flag is complete it will hang with the others as a daily reminder of the spirit of Om. May we all be open to each other and share what inspires us most.

MATERIALS USED:

  • ARTISTCELLAR STENCILS: SANSKRIT OM, HALFTONE DOTS, SEAFOAM
  • DECOART: Splendid Gold, Blue Harbor
  • DINA WAKLEY MEDIA ACRYLIC: Blushing
  • PLAID: Color Shift Blue Violet Flash, Calypso Sky
  • DYLUSIONS PAINT: Vibrant Turquoise, Cut Grass, Fresh Lime, London Blue, Crushed Grape, Squeezed Orange, Bubblegum Pink
  • REEVES: Bronze, Gold
  • NATURAL SPONGE
  • PAINTERS TAPE
  • POSTER BOARD
  • ELMERS SPRAY ADHESIVE
  • 7 oz. COTTON DUCK FLAG: 18” X 28”

“I’ve learned that home isn’t a place, it’s a feeling.” – Cecelia Ahern

Have you ever been driving down a street and wondered…Who lives in a house like this? It may not be the largest or the most attractive, but there is something about it that catches your eye. That’s how I feel about a local apartment house with the chic name Stonehurst Court. 

In my last post I mentioned recycling tissue paper to mop up paint from your stencils. Using the tissue I covered with acrylic, I created the mini canvas you see here.  I love the freedom of this technique. You never know how much of the paint will transfer. The results are unexpected and can be a great inspiration. I still have quite a lot of paper left. I will be using it for a community project in a few weeks.

One of my favourite Artistcellar stencils is the Halftone Dots Series. With just a bit of painter’s tape you can mask off just what you need to enhance your design. Inspired by the many steps leading to Stonehurst Court’s front door the largest dots, Shadow, take center stage on my canvas. As the building is surrounded by bushes and plants, I completed the design by tearing off organic sections of the tissue and layering with matte medium. The Playful Pods shimmering in gold added just the effect I was after.

Who lives in a house like this? I like to think people who are adventurous and like to create the feeling of home wherever the put down roots. Is there a certain place that inspires you? I hope you will try the tissue paper technique and have as much fun with it as I did.

MATERIALS USED:

"Art is making something out of nothing and selling it." - Frank Zappa

I always smile when I read this Zappa quote. When I was in Art School, as much as our instructors encouraged following our creative voice, they equally stressed the importance of sales. After all, a starving artist in a garret sounds romantic, but creativity has a difficult time thriving when you’re faced with a lack of income.

I have been working on a series of Prayer Flags using the Artistcellar Tibet Series for inspiration. They will be on exhibit at WITF-TV, our local PBS channel in Harrisburg, PA. This is my second set. The first sold at an exhibition last year. Although the new set is in the spirit of the old, I found my colour choices and positions of the stencils were evolving. As you use your Artistcellar stencils you too will discover how they inspire your work. When masking a stencil here or there, you can change the feel of your design, always creating something fresh and new.

Recently a friend gifted me with a beautifully wrapped wind chime. The deep purple tissue paper she used has a wonderful sheen and light texture. I knew it would find its way into my art. While working on the flags, I found it hard to just wash all the luscious paint off my stencils. Instead, in celebration of Earth Day, I used my purple tissue as a blotter. What better way to “Reuse & Recycle”?

When I was finished stenciling my flag, I transferred the paint to the paper. The tissue took the acrylics well and soon I had two gorgeous paint covered sheets. But this is just the beginning. The paper will be a central part of a project I will write about in the coming weeks.

Have you ever tried using up your paint on paper this way? Not only “saving” your acrylic it’s a great way to extend the life of your stencil…to have positive and negative images at your fingertips.

I suppose Frank Zappa was right. As artists we can make something from nothing.  And here’s hoping you have future sales to boot!

 MATERIALS USED: 

"Sunshine, lollipops and rainbows
Everything that's wonderful is what I feel when we're together…"  
Lesley Gore/Marvin Hamlisch, Composer

And who said crayons are just for kids?

Included in my most recent box of delight from Artistcellar was a set of Tim Holtz Distress Crayons.  And with names like Peacock Feathers, Twisted Citron, and especially Mermaid Lagoon I couldn’t wait to start using them.

I have long been a fan of the Tim Holtz line of Distress Inks. I love the wide range of colours and the deliciously descriptive names. The quality is always consistently high and I expected the same from the new line of Crayons. I was not disappointed.

Of late, I have been working with my metallic acrylics or watercolours. Receiving the Crayons was a good excuse to bring out the Distress Inks once again. Opening the box I keep them in was like opening a door and visiting with an old friend. The Tim Holtz line was my first purchase when I ventured into Mixed-Media. And what an adventure it has been!

A new addition to my supplies is a Strathmore Mixed-Media Journal – 300 Series. The compact size is perfect for working with my Artistcellar stencils. I am now well on my way to building a library of background images…all easy to find and in one place! Now if only I could get a Mineral Paper spiral bound notebook. That would be Nirvana!

I started my work on Strathmore Watercolour Artist Trading Cards. I chose to keep the colours warm and bright. I covered the card with a wash of Tim Holtz Spiced Marmalade Ink and flat Royal Langnickel watercolours using my Sakura Koi Waterbrush.  The waterbrush is a great tool to have in your collection. It saves time, can be taken on the road if you are an en plein aire artist, and can give you everything from a swath of colour to a thin line. It’s great!

With Journal in hand I chose my favourite Artcellar stencil series: Halftone Dots and Seafoam. I wasn’t sure which applicator would best compliment the crayons. I applied the colour with a natural sponge, cosmetic sponge and the Tim Holtz Blending Tool. The crayons are soft and it’s easy to transfer colour to your applicator.  When pushed through the stencil the natural sponge gave a spotty textured effect. The Blending Tool and cosmetic sponge were equally successful, giving me the soft gradated look I was after…all sunshine, lollipops, and rainbows.

Getting out my Distress Inks was truly like visiting an old friend and reminiscing about happy times past at the start of my Mixed-Media journey.  This explains my choice of using this fashion photo from a 1950’s collage sheet. The women look so joyful…sharing a secret, spending time together, and capturing a moment that will stay with them forever. I am sure you have similar memories. Aren't we shaped and molded by the memories we hold closest to our hearts? And the friendships nurtured through the years are always the sweetest…like sunshine, lollipops and rainbows.

MATERIALS USED:

 

Hello my Mushy little Arty Lovelies! 

I'm going to be honest with you here, I am constantly making art that I do not like or I am not sure if I like it, but I always have fun with the process and that is what counts!

Today's piece is one of them! I am not sure if I like it. But it was so fun doing it I will let it sit and see if it grows on me. I have a large hoard of canvases, canvas panels, cigar boxes, frames, wood... (you get the drift) of stuff I have worked on that I either just don't like enough to put on the wall or it was a mock up of something some one wanted commissioned. These things take up space and are a waste of expensive substrates. So I have decided to do something about it.

SO I am starting out with a canvas board for a mock up I did for a wall mural for a Mexican restaurant.

(Nope didn't get the job, but I was their 1st choice! They just thought I should only charge $200 for over a weeks worth of work.) I had a blast researching the whole thing and even had fun with the mock ups; I have 4 panels worth of these. But now they are useless pieces that remind me that people don't realize that custom art is worth at least minimum wage. OK enough griping. 

I didn't want the paint on the board to go to waste so I just pulled my favorite stencils

from Artistcellar and went to town using some acrylic paints, the Dina Wakley being the boldest of the colors. I love the mudgy kerfuffle that the canvas turned out having!

I wish I would have scanned it as it was for future use, blug, hindsight is 20/20.

I then kept looking at the canvas until I decided what I needed to paint and got busy.

At this point I was having a blast painting

and I was trying to figure out where to add more shadows with the General's Scribe-all in black, I took a good look at it and put it aside because I though "who would want to see this?" and I got up all pissy and was stressing about what I would do for this blog. I got angry for enjoying myself! It took my half a minute after I realized that to get back to having fun, that is what this is about right? it's not about what I think others will like, its about enjoying the process.

So I sat my bedoodle back down and had fun! I just went with the flow, adding more color with the Dina Wakley paint, shadow with my General Scribe-all and used one of the water series stencils and paint to bring my figures into the foreground and my Faber-Castell Pitt Pen in black to add some shadows.

I don't know if I will keep this or if I will cover it with paint and make something else, but I had fun, and the colors energized me. I have to remember every piece does not have to be something someone would buy, sometimes I just have to create.

If you want to see the video of my process, here it is:

Big Hugs and Mushy Stuff!

Shana Banana!

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