Imagine. Create. Enjoy.
This week I'm bringing you a project that takes a page out of one of my sketchbooks and puts it up on the wall. I am still loving the faces I created in my little Moleskine I shared a few weeks ago. I didn't want them to just stay in the book, I wanted them to break out and decorate my wall! I chose one of my favorites and... follow along!
Here are the supplies I am using:
I prepped the chipboard with a layer of gesso on two sides (it keeps the chipboard flat). Using a blue and a red paint with the Tracks and Open Work stencils add a few layers to make a quick background.
Looking at my original I took a pencil and sketched a similar face.
Use acrylic paints to paint in the face and outline in black. Final touches and more texture done with my favorite drawing pencil.
After I am happy with the way it looks it's time to cut it out! Don't you just love how the stencil designs peek out?!
I used gel medium to attach the chipboard piece to the substrate and left it to dry overnight with a layer of books on top to help it dry flat.
After a coat of black paint around the edges to finish it off it's time for a coat of glossy sealer.
She looks great and I think she will look even better on my wall with a few of her sisters to join her. Better get to work!! Have a creative week!
Today I am bringing you a bookmaking project but it is not your average book. I was browsing through my collection of art books looking for inspiration when I revisited Alisa Golden's Expressive Handmade Books. (If you are in anyway interested in learning more about handmade books I highly recommend checking her books out.) The book structure that caught my eye is the Square Flexagon. The Dictionary defines Flexagon as a "folded paper construction that can be flexed along its folds to reveal and conceal its sides alternately." And no, it's not origami because you'll use scissors and adhesive to create it and the structure has its roots in mathematics. Don't be nervous! Here we go!
The square flexagon starts with a square piece of paper (surprise surprise!) and for mine I used a large 18x24 inch piece of Strathmore Mixed Media paper which I cut down after I had both sides decorated.
On one side I used Inktense blocks to rub colors all over the surface and then using a dry brush and a water spritzer I moved the color around and set the ink.
When that was dry I used the same blocks to create a multitude of skinny stripes all along the paper.
The other side of the paper started the same with rubbing the sides of the on the surface and wetting the ink to move the color around.
Once the gesso was dry I sprayed the entire surface with some Dylusions ink sprays and then wiped off excess ink with a paper towel.
The resist effect was subtle but nice.
I wanted to bring back more white into the design so using the same two stencils and white gesso I covered the surface with alternating dots and squares.
Now's the time I cut my paper down to a square.
There is a great contrast between the two sides. One is lighter and easy going. The other is darker and complex. I can see how these foundations can work together to create a thoughtful dialogue. As an artist I try to communicate SOMETHING in every piece of art I create and using a handmade book as the structure makes it even more interesting!
In creating the square flexagon there are several directions available online. The directions Ms. Golden gives in her book are slightly different then those I found online so I am including a picture of the directions she gives in her book. (Again, her books are wonderful!)
Here is the paper after I have made the folds and cut out the middle. (Which I also made into another square flexagon!)
Here is a video by Jill Britton I found on youtube for how to fold the paper together to make your book. It's smaller and not as pretty, but you get the idea.
Here is the result! Fun, right!?
Many thanks to my eldest daughter for the wonderful hand model work!
Now comes the content but I will be working on that later. I have some thoughts and reactions that I'll get down on paper but I want to get them right before I decide how to put them down on the pages. All in all there will be 6 different "pages" to fill. Personally, an artist's book must have content to give it meaning. Whether that content is words, pictures or the materials the book is made of there needs to be something that goes along with the structure to tell the story. I hope you give this fun book structure a try!
What is the story you would tell?