Imagine. Create. Enjoy.
Hello Artistcellar lovers!
I’m Marrian and I have the great pleasure of popping into the Artistcellar blog to bring you some new ideas for using their awesome stencils. I’ve been a paper crafter for 18 years and have had the opportunity to write two books on card making. I currently run a website offering card making courses, but more on that later.
Here are some supplies you’ll need:
Okay, let’s get started!
Begin by cutting a piece of the Neenah cardstock, to measure 5 1/4 x 4". I like to make the paper larger than what I'll need so that I can choose the best area to highlight when putting the card together.
I find that when I'm working with inks, it's handy to work on a surface you can easily clean and use again and again. I choose to work on a glass cutting board, which I found at a local thrift store; however, you can also use scrap paper. Tape the piece of paper to the glass using the least possible amount of tape so as not to show too much white areas on the sides of the paper.
Next place the stencil over the paper, aligning it and taping its edges down to the glass as well so it doesn't move around when you're applying the ink.
If you're using an alternate stencil, try to pick one that has a similar simple geometric design as they're the easiest to start with.
Now it's time to ink it up! In the above picture you can see I used Distress Oxide ink, Faded Jeans, as the first color to add. You can also see the foam circle on an applicator that is usually for alcohol inks, but I like to use what I have, so I improvised.
Ink up your foam piece and apply the ink in a circular pattern without adding too much pressure. The great thing about these inks is that you can always add more color and moving in a circle allows the colors to softly blend.
When using your own stencils, add color in a similar way, placing each color on different areas of the card stock.
Next, I used another Distress Oxide ink, Salty Ocean. Apply this ink in the white spaces that were left after you added the previous ink. Again, use circular motions to blend these two colors together.
Lastly, I added the Iced Spruce Distress Oxide ink in just a few areas using a small sponge piece. Once you have these three inks on the paper, you can go back and use the sponge applicator with the Faded Jeans ink and gently go around the card stock to smooth in a bit more color where needed. This ensures that the colors are softly blending into each other without making the whole card one hue.
Remove the stencil from your paper and voila - you have an awesome background design!
Using a blowdryer or heat gun, heat set the ink onto the cardstock so that it doesn't smudge when you work with it.
Next, cut the cardstock piece so that it measures 4 3/4" x 3 1/2". When you're cutting, make sure to cut off the places where the tape was on the card, which are white once removed.
Now you'll need to add piercings to the stencilled piece of cardstock in order to be able to complete the stitching. You don't need to stitch the entire stencil pattern, but rather, highlight just a portion of it.
Place the cardstock piece onto a foam pad. Using your ruler, place it along one of the squares edges and make piercings at the corners of the squares, keeping the ruler in place.
Continue to use your ruler to add more piercings around each square you want to highlight.
Next, you can begin to add stitches around each square. Make sure to choose a thread that is easily seen on the card and tape it to the back of the cardstock piece before you begin. Taping the thread down when you're starting and ending stitching allows the card to lay flat when you're finished.
I used a thicker metallic thread to do the stitching, as I like how much it adds to the texture and dimension of the card.
Here you can see the completed stitching I added to the stencilled card.
Gather some cardstock papers that you'll use as layered accents on the finished card. You'll need the following sizes; two pieces of gold cardstock, one measuring 3 3/4" x 5" to place behind the stencilled piece. The other should be cut to measure 4 3/4" x 6 1/4". Also cut a piece of blue cardstock measuring 4 1/2" x 6". I used a premade card base that measured 6 1/2" x 5" when folded in half.
Glue the larger gold and blue cardstock pieces onto the card base and set aside.
Glue the stencilled/stitched cardstock piece onto the smaller gold cardstock paper. Next, you will attach and center this piece onto the base card. You can add foam tape or foam squares to the back that will lift this piece off of the base card to add further dimension, but only if you choose to.
You can choose which embellishment if any you want to add to the card front. If you're a stamper you can add a message like “Happy Birthday” to a cardstock strip and attach it to the front. You could also add a paper flower, decorative tag or really any item you want, so don't feel limited by this list.
I added a laser cut dandelion flower to the card, as I like the way it still has some geometric lines and yet also offers the basic design of a circle, which offsets the squares nicely.
I hope you enjoyed making this card project! If you’re interested in learning more card making skills, hop on over to my website, startcardmaking.com, and sign up to receive free, weekly card making projects.
You can also check out the free mini courses and card making courses on using stencils, stamping, stitching and paper folding.
After spending my morning creating amazing little pieces with plaster and molds (some homemade, some store bought) I was feeling really inspired to create. I grabbed a small canvas and set to work without really a plan of what the final result should be.
First, I used an Artistceller Blocks Series Stencil (Tiles) with DecoArt Media Mister in Carbon Black. Since the canvas is so thick, I thought it would be fun to add some of that stencil design on the sides, too.
Next, I used an Artistcellar Labyrinth Series Stencil (Crete) with Golden Coarse Molding Paste.
From there, I glued my plaster pieces on, and started building color with Tattered Angels Glimmer Mists in - Partridge in a Pear Tree, True Blood, Lava, and Iron.
I also used a palette knife and some of Finnabair's Rust paste for extra texture.
Then, to finish the whole thing off, I poured Liquitex Pouring Medium on top and let it dry. This creates a super glossy, almost resin-like effect except it's way less sticky, messy and smelly. (Hooray!)
I like to make weird art. Art that makes me think. Art that makes people uncomfortable.
I call this one D - I - S - C - O - N - N - E - C - T, and I'm still deciphering it's message myself.