ALL ON BOARD! -Shelby

Wouldn't you know we're riding on the Marrakesh Express
Wouldn't you know we're riding on the Marrakesh Express
They’re taking me to Marrakesh
All on board the train, all on board the train
All on board – Graham Nash

We are in a cycle of dark dreary days filled with rain and humidity. Not the most advantageous to inspire creativity on these late Spring days. I needed an escape!  I wanted sun! I wanted warmth! I wanted exotic locations! With a bit of imagination and the best tools at my disposal I magically escaped the monotonous and traveled into a world of colour and exploration.

Opening the box from Artistcellar that arrived at my door was like grabbing my passport and getting on board to an exciting journey! Included with the supplies was the CHRIS COZEN - PLAYFUL PODS SERIES stencils. As with all of the Artistcellar stencils, they are made to last and perform perfectly with a variety of media. Clean up is quick and easy, leaving the stencil in like-new condition. I have been hearing a lot about the use of Rubber Cement. It seems to be the “go to” everyone is discussing…from Google+ Communities to Workshop details that land in my Inbox.

I selected the Bodacious Pods stencil from the series. They reminded me so much of Moroccan pouffes…the lovely Ottoman footstools that take lounging to the pinnacle of relaxation.  In my collection is an exquisite image of Sir Francis Bernard Dicksee’s "Leila", which I purchased on a Digital Collage Sheet. The woman, painted in the Oriental style, at last found a home.

My idea was to give the art a rough, almost sun worn finish similar to the buildings I photographed in Marrakesh. I chose a heavy watercolour paper for the substrate.  I dabbed the rubber cement through the stencil with my fingers…varying the amount from thick to thin, hoping this application would produce a mottled effect when covered with paint.

The rubber cement dried relatively quickly, even for impatient me. As an impulse buy, I recently purchased  pearlescent watercolours. I go weak in the knees for anything with a shimmer, and the selection of colours looked scrumptious. I covered the paper with a wash. I chose all the gorgeous Bohemian colours available on my pallet: Hot Pink, Vermilion Orange, Cyan Blue, Turquoise and Bright Violet! I blended the colours using a tool new to me… The SAKURA KOI WATERBRUSH. If you haven’t tried it you must! The brush is made of flexible nylon fibers that are fed with water from a refillable reservoir. When I was finished blending, the paper was once again set out to dry.

With my fingers and an eraser I removed the rubber cement. The result was as I had hoped…patchy, worn, sun kissed, with a dazzling shimmer…just as I remember my travels in Morocco.  It would be the perfect home for Leila. I scanned the altered paper and revised the image of the woman. I wanted to keep as much of the paper without further alteration, so I only added Graham Nash’s lyrics…the inspiration for the piece…surrounding her.

Art, I am sure you will agree, can take us to the places as far and as wide as our imagination. With the proper tools at our fingertips we can re-experience the wonders of travels past. Or we can dream of places we’ve yet to see.  Either way, won’t you join me? All on board the train, all on board the train!

MATERIALS USED

• ELMER'S RUBBER CEMENT
• CHRIS COZEN - PLAYFUL PODS SERIES – Bodacious Pods
• SIMPLY SIMMONS ONE STROKE BRUSH
• SAKURA KOI WATERBRUSH
• ROYAL LANGNICKEL & ARTIST'S LOFT FUNDAMENTALS PEARLESCENT WATERCOLOURS
• HEAVY WATERCOLOUR PAPER
• DIGITAL IMAGE- Sir Francis Bernard Dicksee’s Leila (1892)

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