Imagine. Create. Enjoy.
Hello my lovely lovelies!
It's summer! I mean it's really summer, here in Phoenix we have been at close to record highs for over a week! When I got up this at 5 a.m.p to take my pup to the park it was already 80 degrees!
That is why I am happy to say I am going north! I go to MN and WI every year so I can attend a few family reunions, celebrate my daddy's birthday and enjoy time with my family. This year I am going for a month! Since I am only bringing carry-on luggage on the plane I have to pack light.
I bring one small carry-on suitcase for my clothes and toiletries and a second larger laptop bag for my recreational items which include ART supplies!
The first items to go in my bag are my substrates; I always pack a larger strathmore watercolor paper, because I like to be able to give art as gifts while I am home visiting. This year I have decided to bring mineral paper as well. Third, is an art journal - this year my journal is the Large Jane Davenport journal with hot press watercolor paper. I then place my 2 watercolor palettes (one for me my koi travel kit and one to share my grumbacher) in with the paper.
In an over sized pencil pouch I put my sketching pencils, a waterbrush, a #10 round brush, white gel pens, a black pen, an assortment of prismacolor pencils and last but not least, all of my Artistcellar pocket stencils.
Using the oversized laptop bag allows me to carry everything I need and still have room to add a book to read and have space in case I find more supplies I need to bring home with me!
Make sure you check for my next blog post to see what I create using the minimal supplies I am bringing with me! See you in 2 weeks!
Big hugs and mushes to you! Xoxoxo
So -- I am a person that likes to art anywhere AND everywhere! This means arting in the car, stuffing journals into my purse, going to parks to paint, wherever I can dream it I will go and I will art there!
Sometimes my "traveling" really just means I won't be working in my art studio and instead I will be on the porch, or the couch or the dining room table.
Except... it's hard to carry all that stuff around. Journals, paints, gessos and mediums. It's really a lot to cart around, but I found a method to it! So, I found a handy little carrier on amazon. Officially, it's called a "16-inch tool bag". It's priced roughly around $20-$25. Not too shabby! Added bonus, it's super strong because it is meant for heavy tools -- and it has TONS of pockets. It is perfect for carrying around stencils, acrylic paints, pens, pencils -- you name it.
Here's a little video on how I've packed mine up:
Today we went to the range with some friends and it was a beautiful day outside. I opted to take my travel kit along for some car arting! This painting was started and finished away from my art studio.
Here's a little timelapse video of some of the process:
To see my other artsy musings and have access to things like zines, prints, videos galore, visit my Patreon!: www.patreon.com/PanArt
As artists, our art tends to evolve with us. New life experiences, emotions, inspirations and yes, even art supplies can all help turn our creativity in different directions.
Right now, the direction I've been taking involves mineral paper, watercolors and Artistcellar stencils.
I was over the moon with Lisa's Artistcellar package containing the brand new stencils - Tibet Series Stencils. If you follow me through facebook or instagram I'm sure you have seen the stencils in action already... they made me swoon!
Today, I made a short little technique video to show you one watercolor/mineral paper/stencil technique that I accidentally stumbled upon and I LOVE!
To showcase one of my favorite stencils from the set, I also created a couple of girls from the Lotus Flower stencil.
I started with the stencil as the base, and then used a pencil to sketch the girl "growing" from the center. Next, I filled it in with watercolor and ink.
The two girls below were both created on different paper, so you will see the dramatic change that using different paper can be. First is created on mineral paper, and the other is on a hot press watercolor paper.
And below, here are some examples of other paintings I created utilizing the technique demonstrated in the video!
With each new release, I'm always amazed at the magic Lisa creates with her stencils... and the resulting artwork to follow. I hope you will find inspiration with the new Tibet stencil series -- and perhaps you discovered a new technique to play with today as well.
See you soon!
This week I've been busying myself getting preorders ready for my oracle deck. In the meantime, I was going through my art studio and re-discovered Mineral Paper! Don't you just love when that happens?
I was on vacation this weekend, so I packed up some art supplies on the go -- watercolors and stencils! I absolutely love the way watercolors work on mineral paper... and I really, really love how the paper does not buckle or have any issues standing up to the wet media.
To begin the painting, I sketched out the girl and then outlined it in black ink. Then, I started adding color using various Artistcellar stencils (see supply list below).
Use your intuition and let yourself play on the page with your supplies!
I hope you enjoy this week's project - and in the meantime you can check out my oracle deck preorder at: http://bit.ly/
I had hoped to share the progress in my fabric book but it is going quite slowly so I have a different project to share with you today. Never fear, the progress in the fabric book will be shared in the near future!
This project was inspired by a portrait lesson I taught my 4th graders at school. We have been learning about facial proportions and portraiture and I knew they wouldn't be excited about drawing random faces for long. In an effort to make their art more personal I asked them to draw a self-portrait with a simple line drawing. Then I asked them to fill their faces with words that describe who they are and what they like. It was fun to see what words they chose for themselves.
When I finished my project example and as my students were busy with their own I looked again at my paper and realized I had the beginning of a great piece of artwork. I ended up creating two versions.
Here are the supplies I used:
I began by spraying water and Dylusions ink liberally on the watercolor paper. While the ink was still wet I pressed the mineral paper onto the watercolor paper and then carefully peeled them apart to see how the color transferred. Let dry before continuing.
Before using the stencil I sprinkled water on the mineral paper and after a few seconds I wiped up the water by rolling a paper towel roll on the surface which resulted in the ink being lifted off the paper. I set the stencil down on the paper and sprayed it with water. Since the inks are water reactive I was able to take a soft paper towel and rub it through the stencil design to remove some of the ink. This was done on both the Mineral and watercolor papers. The subtle design it created was perfect for a background.
Using carbon transfer paper and a stylus I transferred my drawing onto both papers. I did not trace the words as I wanted the freedom to change those around if the composition called for it.
Using a small brush and black paint I went over my graphite lines to create a bold outline for my face. I carefully painted white paint onto the face on the watercolor paper. The ink from my first layer is still reactive with wet media so I was careful not to scrub my brush too much on the surface. Some color transfer happened and it was lovely how it created a dimension to the white paint. Having an under layer on a painting always help bring more depth to the piece. For the Mineral Paper I just painted regular water onto the sections of the face and blotted the water up with a paper towel to remove the inked surface.
From this point on I found myself concentrating on the watercolor paper composition. Using a pencil I sketched in my lettering lightly to focus on how things would fit. When everything was where I wanted it I used a black acrylic paint pen to bring out the lettering.
Final details were using Dina Wakley acrylic paints to paint the eyes, lips and shirt.
I am very pleased with the result and I can't wait to finish the variation on Mineral Paper. I hope you will take some time to create your own self-portrait celebrating the qualities that make you, YOU!
Have you ever created something that you weren’t satisfied with? You just didn’t like how it was turning out? Maybe you were even feeling like you just wasted some very good art supplies! Hmmph.
I am here to tell you that that’s part of the process, and it’s going to be okay. You don’t have to love everything you create. Each time you attempt to make something and use those precious art supplies, you are learning and growing. Try to give yourself a break, alright? You are doing good work!
Today we will look at how I made use of spray inks, the Crown Chakra stencil, and Dina Wakley Acrylic paint on a piece of Mineral Paper. This art creation definitely had a stage that had me wondering if I could save it or not.
Stepped Out Process Photos Below
TIP: Put a large piece of paper behind your work area before using spray ink. They can be unpredictable.
Perhaps I sprayed a bit too much, because when I lifted the stencil, I saw this.
I tried to print the wet stencil on the bottom half of the paper, thinking I might be able to get a clearer image. However, that didn’t work as I’d hoped.
I put the Crown Chakra stencil back on and used a cosmetic wedge and Dina Wakley acrylic paint to try to save myself.
I ended up painting around the sprayed and painted stencil image. I felt like it was sort of starting to come together.
Since I am not one to waste paint, I started painting the borders around the two Crown stencil images. I sort of felt like Josef Albers, so that was fun!
As you can see the wet print of the stencil needs a little help, so I worked on that section next.
I put the stencil back on the Mineral paper, and applied some acrylic paint with a cosmetic wedge. (Have I mentioned how much I love the Mineral paper? It’s thin but tough!)
Pictured below is what the image looked like after removing the stencil. Can you see where I applied paint?
Yet, there’s still more work to do!
Now things are looking better.
Does anyone else reading this have a secret love with brown paper? I do!
The great thing about smartphones and photography today, is you can easily crop your images and turn them into something new!
I am pretty sure this piece will end up in a mixed papers handbound journal. It might even make a great cover! We shall see!
I like having options, don’t you?
Thanks for being here and playing along with me!
All of my best,
Briana of OrangeSpiralArts.com
All of a sudden, I have fallen in love with watercolor pencils again. I used to use them more in my early art journaling explorations, nearly 17 years ago, but I sort of forgot about them.
While recently planning for an adult art workshop, I wanted to introduce the class participants to a user-friendly art supply with versatility. Aha! Watercolor pencils!!
And since I was having so much fun with watercolor pencils, I decided to incorporate them into this post for artistcellar, too!
Note: The Faber-Castell Albrecht Dürer Watercolor Pencils sold on artistcellar are of superior quality. Here’s a link to a video (created by ColoringKaria) that shows you many ways to use these fabulous watercolor pencils: https://www.youtube.com/watch?annotation_id=annotation_3538991757&feature=iv&src_vid=zSe119-1ZXs&v=VZ8Wi15RXXw
Note: There are many, many kinds of watercolor pencils on the market. If you are curious to see how different brands compare to one another, I found this video helpful (created by MyOwn Stuff): https://www.youtube.com/watch?annotation_id=annotation_3538991757&feature=iv&src_vid=zSe119-1ZXs&v=VZ8Wi15RXXw
Now for the step by step tutorial on the mixed media art I created on Mineral Paper.
Color inside the lines you traced in a way that pleases you. Keeping the stencil in place can be helpful.
Wet a brush and smooth out the watercolor pencil coloring you just did.
Tip: Swipe excess water out of the brush before painting. If it’s too wet, the water seeps under the stencil.
Play with the possibilities of watercolor pencils and a wet paintbrush.
Draw concentric circles with the watercolor pencils, in purple and blue, around the labyrinth. Wet the colored pencil work with a brush.
Drip Dye-Na-Flow in Midnight Blue around the paper.
Tip: Turn your paper upside down to get a new perspective.
Drip Bright Green Dye-Na-Flow around your paper.
Drop rubbing alcohol (90% isopropyl alcohol) onto the wet areas of your paper and watch what happens!
Squint your eyes and notice if you see enough contrast. Notice if there are any other colors you feel need to be added. (For me, I felt like a warm pink was needed. I decided to draw some plant-like shapes all around, including through the wet puddles of color).
Tip: Making an artful mess is fun! Try to enjoy the experience of exploration.
Drop more alcohol and tilt your paper in different directions for the drips to do their thing.
Unify the piece by adding sweeps of liquid watercolor. (I chose to use some neon liquid watercolor purchased at Blick).
Drop more alcohol onto the outside edges of the labyrinth where you traced with ballpoint pen. Watch the alcohol dissolve the ink and make some of the lines blur.
Tip: Not all pens are dissolved by alcohol, so do a test on a separate sheet of paper to check your pen’s solubility.
Finally, let dry and then enjoy your finished piece!
I hope you feel inspired to play with watercolor pencils. They are versatile, portable, and fun!
I hope you feel inspired to play with inks and rubbing alcohol (isopropyl alcohol), because it’s a really fun technique to try.
May you continue to honor your creative spirit through exploration and play, even if you call yourself a professional artist.
I will leave you with this quote:
“Play keeps us vital and alive. It gives us an enthusiasm for life that is irreplaceable. Without it, life just doesn’t taste good” -Lucia Capocchione
Blessings and Peace to you,
Briana of OrangeSpiralArts.com
Greetings Artistcellar fans!
I hope life is treating you well.
Today I have a stepped out tutorial of a layered art piece to share with you using the following supplies:
Before I get into the step-by-step process, I have to tell you something. The NEW Mineral Paper Pad is really, really awesome! The paper is made from rocks, not trees. The paper feels smooth, thin, yet sturdy for both wet and dry media. You neeeeeed to check out this paper!
Try different ways of applying the Dye-Na-Flow. Pictured above, the right corner was done using a paintbrush. Then I flipped the stencil over (bottom left) to make a print and rubbed a little color around with a paper towel. All of these variations make for an interesting background layer.
Complete the page with one more use of the stencil. (I used the cosmetic wedge again).
Choose a contrasting color of acrylic paint to dab through a different stencil. (Here I am using the Sun Flower stencil from the Kaleidoscope Series.)
Continue playing with placement of this second stencil.
Next I pulled out the Dylusions Paint. One thing I love about this paint is that it is semi-transparent, which makes it perfect for mixed media layering techniques!
Grab the first stencil you were using and place it slightly off-center on an area where you previously used that stencil.
When you remove the stencil you will see the following results:
Pretty cool, right?
Do the slightly off-center technique one more time. You might want to choose a new paint color, or a variation of your contrasting color.
And here you go!
So, that sort of looks like a jumbled mess now, would you agree?
This is all a part of the creative process and the layering process. It’s sort of like the “teenager” stage.
Let’s tie things together.
Add a unifying color (I used yellow Dye-Na-Flow) to part of your piece.
Add a focal image or symbol. (I painted a red spiral using a ½ inch paintbrush and Dylusions Paint).
When I finished this piece, I was pleased with the lightweight Mineral Paper. The piece could easily be framed or turned into a flag on a banner (you know, with ribbon or string and multiple “flags” hanging down). Of course, there is always the possibility of cutting and tearing for your mixed media collage creating pleasure!
In Summary, I hope you’ll try the NEW Mineral Paper Pad from artistcellar. It is quite amazing stuff! Also, try to remember that there are many stages when creating a layered piece. It’s normal to have a stage that you really don’t care to look at. Usually, more layers will take care of the issue, as well as adding a focal point.
Have fun and enjoy your art supplies!
Briana of OrangeSpiralArts.com
"Travel brings power and love back into your life." – Rumi
TRAVEL: To go from one place to another, as on a trip; journey.
From the time I was a child the word “travel” was the genesis of my wanderlust. I couldn’t walk past a travel agency without stopping to look into their store window. Gazing at posters showing incredible scenes of cities that seemed so far away only fed my desire to travel. I wanted to learn about the lives of the people depicted in those posters. I wanted to see for myself the towns and cities that looked so enticing even when viewed through a plate glass window. I wanted to put pins in a map of all the places visited. I knew I was destined to live a nomadic life.
And I have been lucky. I have visited almost all of the places that sparked my interest. And I found when traveling my journey enriched not only my physical but my spiritual life as well. And this is why I am in love with the beautifully crafted Artistcellar Labyrinth series. Let me tell you about the journey I walked in creating this collage.
Starting with my Strathmore Journal, I covered a page with Dye-Na-Flow Midnight Blue fabric paint using a 1” foam poly brush. While still wet, I splashed on Dye-Na-Flow Magenta followed by dripping rubbing alcohol into the wet dye. As the page dried a soft floral pattern emerged.
Although I liked the effect, I wanted to see how the dye would react on Mineral Paper. But this time I drizzled on a bit of rubber cement before coating the paper. The beauty of Mineral Paper didn’t disappoint! I liked the way the resist seemed to flow with the dye one enhancing the other. Although the technique was the same, I now had two distinct looks. Where my journal paper produced a soft velvet effect, the mineral paper was watery and wonderful. Looking at the backgrounds, I couldn’t decide. Which one should I use in the final work? As the saying goes “You can never have too much of a good thing”, so opted to use both.
In my last collage I featured the Chartres stencil. This time I knew Crete was the one to work with and stenciled directly on to the page in my Journal beginning with Viva Decor Inka Gold. I liked the effect I got the last time I used this product and polished it, when dry, with a soft cloth. It then became a wonderful base for shades of Silver, Gold, and Rose Red acrylics. The final element added was a vintage map.
Just working with the Labyrinths allowed me to recall so many memories of my travels. I believe travel empowers you to wander with purpose and explore the passions that drive you. Travel does more than include the physical movement from one place to another. Travel also resurrects the desire to explore within and find love and serenity in just being present.
Hello again Creative Spirits! I love experimenting with new supplies and techniques especially when I don’t have a goal or project in mind. I thought it would be fun to try the DecoArt Media Crackle paste on one of the finished Mineral Paper sheets from my May 24th post. Mineral Paper comes in pads as well as origami paper which is a perfect size for the 6” Artistcellar stencils.
I applied a medium coat of paste on the mineral paper sheet over one of the stencils from the Kaleidoscope series (Sunflower) with a palette knife and lifted the stencil off carefully. I really liked the bright white paste and the texture was different than other crackle mediums I have tried.
While the paste was drying, the mineral paper buckled quite a bit then and flattened out again. Let the paper dry until completely flat before doing the next step. The cracks that had formed on the surface of the mineral paper looked really cool but was a little too pasty white for my taste.
I applied a wash of magenta and blue Splash Ink over the paste which really brought out the details of the cracks. I love the way the color settled into the lines and stained the paste just enough to make it blend with the background.
I thought of many ways I could use the finished sheet in a collage or a background for a card but I couldn’t help to fold it into a heart instead. I wanted to see how the crackle paste would hold up to folding and I was surprised that it stayed on the paper with very little coming off during creasing. I like the way the folded heart feels on my fingers as I move them across the surface. If you would like to fold this super easy heart, you can find the directions